English Audio Request

Deft and dark
With this new independence apparent, Moore's deftness and dark humor in Sicko, which is a brilliant work of journalism and satire and film-making, explains - perhaps even better than the films that made his name, Roger and Me, Bowling for Columbine and Fahrenheit 9/11 - his popularity and influence and enemies. Sicko is so good that you forgive its flaws, notably Moore's romanticizing of Britain's National Health Service, ignoring a two-tier system that neglects the elderly and the mentally ill.
The film opens with a wry carpenter describing how he had to make a choice after two fingers were shorn off by an electric saw. The choice was $60,000 to restore a forefinger or $12,000 to restore a middle finger. He could not afford both, and had no insurance. "Being a hopeless romantic," says Moore, "he chose the ring finger" on which he wore his wedding ring. Moore's wit leads us to scenes that are searing, yet unsentimental, such as the eloquent anger of a woman whose small daughter was denied hospital care and died of a seizure. Within days of Sicko opening in the United States, more than 25,000 people overwhelmed Moore's website with similar stories.
The California Nurses Association and the National Nurses Organizing Committee dispatched volunteers to go on the road with the film. "From my sense," says Jan Rodolfo, an oncology nurse, "it demonstrates the potential for a true national movement because it's obviously inspiring so many people in so many places."
Moore's "threat" is his unerring view from the ground. He abrogates the contempt in which elite America and the media hold ordinary people. This is a taboo subject among many journalists, especially those claiming to have risen to the nirvana of "impartiality" and others who profess to teach journalism. If Moore simply presented victims in the time-honored, ambulance-chasing way, leaving the audience tearful but paralysed, he would have few enemies. He would not be looked down upon as a polemicist and self-promoter and all the other pejorative tags that await those who step beyond the invisible boundaries in societies where wealth is said to equal freedom. The few who dig deep into the nature of a liberal ideology that regards itself as superior, yet is responsible for crimes epic in proportion and generally unrecognized, risk being eased out of the "mainstream", especially if they are young - a process that a former editor once described to me as "a sort of gentle defenestration".