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Since walking out of the continent now known
as Africa, modern man has regularly packed
his bags and moved on. Such journeys into the
unknown often require a leap of faith. This is
the case for many of the subjects interviewed in
Aisha Dunbar’s Worlds Apart, a group of people
who underwent the immigrant experience in the
1970s. As they recall the cultural and language
barriers they once had to face, they all speak of
the need to believe that life will get better. In the
first chapter Dunbar herself provides a first-hand
account of being on the receiving end of racism
and the strategies she employed to deal with those
who abused her. She cites this as her incentive for
assembling this collection of other voices. Worlds
Apart is, admittedly, a slightly sentimental book -
particularly in the narrative thread that connects
each person’s story- but the anecdotes they tell are
often genuinely humorous and uplifting.
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Fans of Neil Gough’s The Right Man, a look at
political campaigning in the 21st century, have
eagerly anticipated a follow-up, but whether his
latest volume, In Retrospect, rises to the challenge
is arguable. This book poses the question ‘does
advertising merely reinforce stereotypes or create
them?’ It is bursting with commercial artwork
and slogans from the 1950s and onwards, and some
may appreciate the trip down memory lane to
a time when ‘real men’ smoked pipes and wore
fedora hats, and when slogans such as ‘Christmas
morning she’ll be happier with a Hoover and Don’t
worry darling, you didn’t burn the beer’ were perfectly
acceptable. Where In Retrospect falls down is its
lighter emphasis on the analysis side of things,
and thus it feels a superficial read at times.
Nevertheless, a treasure worth buying or giving.
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